Entries tagged with “Rooftop Filmmakers' Fund” from Rooftop Films Blog



SATURDAY, JUNE 13
PERSONA NON GRATA
(Fabio Wuytack | Belgium & Venezuela | 1:30:00)
U.S. Premiere! 
Prosecuted as a rebel. Banned as a priest. Committed as an artist. Loved as a father.
An inspiring and important documentary co-funded by Rooftop Films.




Venue: On the roof of the Old American Can Factory 
Address: 232 3rd St. @ 3rd Ave. (Gowanus/ Park Slope, Brooklyn) 
Directions: F/G to Carroll St. or M/R to Union Ave. 
Rain: In the event of rain the show will be held indoors at the same location 

5:00PM: Panel discussion: "Message Vs. Craft," outside in courtyard 
6:30PM: Panel discussion: "Filmmaking Strategy," outside in courtyard 
7:30-9:00PM: Reception in the courtyard including free sangria courtesy of Carlo Rossi 
8:30PM: Live music presented by Sound Fix Records 
9:00PM: Film + Filmmaker Q & A
Tickets: $9-$25 at the door or online 

Presented in partnership with: Cinereach, New York magazine, IndiePix, Shooting People & XØ Projects.


PROGRAM NOTE & DETAILS

____________________________________________________________________________________

On Saturday, June 13, Rooftop Films will host the US Premiere of Persona Non Grata, a documentary directed by Fabio Wuytack and co-funded by the Rooftop Filmmakers' Fund. The film tells the story of the filmmaker's father, Franz Wuytack, a sculptor who spent many years in the 1970s as a missionary in Venezuela, fighting for the rights of the impoverished. Wuytack was so radically left-wing that he was ex-communicated from the church and exiled from Venezuela--twice! 

Now decades later, Wuytack returns to Venezuela as a working-class and artistic hero in this gorgeous and inspiring film. Featuring exciting material from his days an activist and touching footage from his return, the film has won numerous awards at European film festivals and competitions. Be the first to see it in the US! 

Fabio Wuytack will be in attendance on Saturday at Rooftop Films, partaking in a panel discussion before the film and a Q & A afterward. I hung out with Fabio and his family in Belgium, and he's a brilliant speaker and a lot of fun. Watch an interview with him below. 


SATURDAY, JUNE 13 
PERSONA NON GRATA - GET TICKETS
U.S. Premiere! 

Prosecuted as a rebel. Banned as a priest. Committed as an artist. Loved as a father. An inspiring documentary--co-funded by Rooftop Films--about the filmmaker's father, Franz Wuytack, a radical left-wing Belgian missionary in the slums of Venezuela in the 1960s. With a new liberal movement sweeping Latin America, and people like Wuytack needing to continue the fight for social justice in the US and around the world, this film is crucially relevant today.


  PERSONA NON GRATA

VenueOn the roof of the Old American Can Factory
Address232 3rd St. @ 3rd Ave. (Gowanus/ Park Slope, Brooklyn)
Directions: F/G to Carroll St. or M/R to Union Ave.
Rain: In the event of rain the show will be held indoors at the same location

5:00PMPanel discussion: "Message Vs. Craft," outside in courtyard

6:30PM: Panel discussion: "Filmmaking Strategy," outside in courtyard

7:30-9:00PMReception in the courtyard including free sangria courtesy of Carlo Rossi

8:30PM: Live music by Nutria NN presented by Sound Fix Records
9:00PM: Film
Tickets: $9-$25 at the door or online 
Presented in partnership with: Cinereach, New York magazine, IndiePix, Shooting People & XØ Projects

MAP


PANEL DISCUSSIONS, presented with Cinereach, Shooting People and IndiePix:

5:00-6:00PM 
Message vs. Craft: The Art of Effective "Issue" Storytelling

When a filmmaker takes on a topic related to social justice or human rights it is often with the hope of influencing public opinion and inspiring action. To achieve that, a film must reach and engage the right audience, in the right numbers. It must also portray the human impact of the issue or problem persuasively. How does a "social issue" filmmaker balance the need to educate with the public's desire to be entertained? How does he/she move past preaching to the choir and make a film that can become a catalyst for real change? This panel will provide advice on the above from documentary and fiction filmmakers including Fabio Wuytack (Director of Persona Non Grata) and Paola Mendoza (Entre Nos), whose work successfully walks the issue/entertainment line. Leah Sapin of Arts Engine (which specializes in production and outreach for socially relevant films), and New York magazine film critic Bilge Ebiri will join the discussion, to be moderated by Lina Srivastava. 

Panelists include:
Lina Srivastava (consultant to non profit media companies working for social change) - moderator
Justin Schein (Co-director of No Impact Man)
Fabio Wuytack (Director of Persona Non Grata
Bilge Ebiri (film critic from New York magazine)
Paola Mendoza (Director of Entre Nos)
Tony Gerber (Co-Director of Full Battle Rattle)

6:30-7:30pm
Filmmaking Strategy:
Tips, Tools and Wisdom to Help You Make the Right Decisions For Your Film

Filmmakers have to be both artists and strategists to get their films made and seen and this is the case now more than ever as changes in funding and distribution force filmmakers to shoulder more of the crucial decisions on their own. This panel will help you learn how to be the best advocate for your film by asking all the tough questions that you will have to ask along the way. For example: How much work (and what work) do you need to achieve on your own before approaching a funder? And how can you tailor your pitch to communicate your vision to a foundation vs. an equity investor? What other funding options are there? How do you balance traditional outreach to festivals, sales agents, broadcasters, and distributors with the need to also create your own fan base? Which distribution deals do you accept? How do know when a deal is a good deal? How do you hope for the best but plan for the worst?

Panelists include:
Ingrid Kopp (Shooting People) - moderator
Adella Ladjevardi (Cinereach)
Janet Brown (Cinetic)
Liz Ogilvie (B-Side)
Simon Kilmurry (POV)
Tia Lessin (Co-Director of Trouble the Water)
Andy Bichlbaum (Co-Director of The Yes Men Fix the World)

___________________________________________________________________________


Glory_Poster.jpgRooftop Films
& Court 13 present
"Glory at Sea!"
As a fundraiser for injured director Benh Zeitlin

Sat., April 26, 10:30pm
Walter Reade Theater
at Lincoln Center, NYC

SOLD OUT!
We raised over $5,000!


"Glory at Sea!" will be screening at Rooftop Films' 2008 Summer Series on June 12
. So if you haven't already, join our email list (left) to receive updates about the schedule.

Tremendous thanks to everyone who bought tickets!



If you can't make it to the screening, you can still support the cause by going to www.court13.com and clicking DONATE.

* * *

In 2005, the Rooftop Filmmakers' Fund awarded a grant to Benh Zeitlin and Court 13 Pictures for their 25-minute film "Glory at Sea," an inspiring and astonishing epic re-telling of the Orpheus myth, set in post-Katrina New Orleans. You can read about the film here.

Unfortunately, while on the way to the premiere of the film at SXSW, a driver (without car insurance) rear-ended the vehicle Benh was in, putting Benh in bed for the next several months with a dislocated hip, a shattered pelvis and two sprained ankles.

Not having health insurance at the time of the accident, Benh and the future of Court 13 are in dire financial trouble, and we are reaching out to the community for financial support. All proceeds from this fundraiser will go toward the arduous and expensive process of getting Benh walking, and soon charging toward making another epic down in New Orleans, this time a feature film.

On Saturday, April 26, we will host the New York Premiere of this amazing film, and also screen the world premiere of Benh's adorable short film, "I Get Wet." Tickets are pay what you can at a set, sliding scale (there's no difference in seating or other options, you just choose to donate more or less). If you would like to make a larger donation, or if you can't make it, but would like to donate, please visit www.court13.com and click DONATE.

If you want to support the cause but do NOT plan to attend, please do NOT buy a ticket. Make a donation through the link above so we can save that seat for someone who can come.

"GLORY AT SEA" Fundraiser
Saturday, April 26, 10:30pm
at The Walter Reade Theater
at Lincoln Center
North side of West 65th St.,
btwn. Broadway and Amsterdam Avenues, one flight up on the upper level.
Buy Tickets -- SOLD OUT!

And don't just take our word for it that the film is amazing. It won the Wholphin Award for best short film at SXSW, and the following people have all written glowingly about it:

+ Michael Tully at Hammer to Nail & IndieWire
+ Spencer Parsons at Austin Chronicle
+ David Lowery at Spout Blog

Come see an amazing film, and help an artist in need!


A quick update in the ongoing saga of Benh Zeitlin and "Glory at Sea!" You can read the backstory here, here, and here. Very nice posts were also written by The Austin Chronicle, Slamdance, and Spout.

As I wrote earlier, Benh was unable to make it to very much at the festival, because of his car accident. But he did make it to the final screening of his film, and told me "I started weeping about 10 minutes into the film and didn't really stop, barely managed to answer any questions afterwards so the crew came up and filled in for me. It was a real release, a great feeling of closure on all this insanity and trauma."

Benh is now back in New York, and would still love it if any SXSW filmmakers wanted to send DVDs of their films for him to see, because he wasn't able to make the rounds at the festival. Please address them to:

Benh Zeitlin
43 South Calumet
Hastings NY 10706

News about Benh's insurance needs and a possible benefit screening are still to come. Stay tuned here.


Like the film itself, this story has (in its own way) a happy ending. As you probably read in my other posts below, Benh Zeitlin--the director of "Glory at Sea," a miraculous short film that Rooftop co-funded--was in a brutal car accident the day of his first screening at SXSW. He's doing much better now, with his metal hip, painkillers, and tremendous set of friends and supporters. Contrary to a popular rumor, the infamous welder-turned-actor who plays Sergeant Major in the film, Jimmy Lee Moore, did NOT perform Benh's operation.

Although Benh wasn't able to attend the first two screenings of his film, he may actually be able to get to the Friday March 14 show at 2:30pm (so go join him if you can for what promises to be a very emotional screening). And so, laid up in a hospital bed, the festival has come to him.

Many filmmakers sent along copies of their films so Benh could watch them in his hospital bed (holding his laptop inches from his face as he awaits new eyeglasses to replace the ones lost in the car). Many more people cheered on the film and sent their well wishes. I know Benh would like to pass on his thanks to all of you.

And last night, "Glory at Sea" took home the SXSW Wolphin Award for Best Short Film.

Zeitlin_Wholphin-SMALL.jpgBrent Hoff and Emily Doe from Wholphin, the excellent DVD magazine that is part of the beneficient McSweeney's empire, presented the award to "Glory" producers Josh Penn, Dan Janvey, and Par Parekh. Fittingly for such a funky, underwater film, and for a DVD zine named for a cross between a whale and a dolphin, the award itself was a pinky-sized vial containing a tiny squid, found some 6,000 feet beneath the sea by an official Wolphin oceanographer.

Immediately following the awards ceremony, I went with about 20 people to visit Benh and celebrate. He was moved and delighted and proud, and really loving the symbolism of this tiny dead creature pulled from the depths of the sea.

Facts about the accident, car insurance and medical bills are still sketchy, but plans for celebration / benefit screenings in Austin and New York are in the works.


GO SEE "GLORY AT SEA!"

GloryAtSea3.jpgA few days ago, I posted below about "Glory at Sea!" a short film directed by Benh Zeitlin of Court 13 Productions. It's a movie that Rooftop Films partially funded, and which is an amazing, uplifting, collaborative project, a mythical narrative about a community (set in post-Katrina New Orleans) coming together to build a raft to join their loved ones after a fatal flood.  

Please take a moment to read what I wrote when I attended the cast and crew screening in New Orleans last week:

www.rooftopfilms.com/blog/2008/03/bleeding-rust-glory-at-sea-in.html

On the way to his SXSW premiere, Benh's car was rear-ended at a stoplight. Benh has shattered his hip and broken his pelvis. Three other people in the car with him also had minor injuries. Benh was in surgery all day, and it appears that he will recover. I visited him in the hospital and his spirits are remarkably high, but he's facing a long, painful, expensive recovery process. And he could use your help.

There are a few things you could do, if you're a friend, a supporter, a SXSW filmmaker.

+ SEE THE FILM!
+ SIGN THE FILM GUESTBOOK
+ SEND A DVD OF YOUR FILM
+ DONATE TO HELP COVER HIS MEDICAL EXPENSES


SEE THE FILM
GloryAtSea4.jpgI was hyping this film long before Benh's accident, but now more than ever go see his truly inspiring and uplifting film. Michael Tully, who writes for IndieWire and Hammer to Nail, saw the film and said he wanted to stand up and shout hallelujah. You'll feel the same, and the rest of the cast and crew will really appreciate your support. "Glory at Sea!" screens:

Shorts Program 3
Tuesday, March 11, 12pm, Alamo Lamar 2
& Friday, March 14, 2:30pm, Alamo Lamar 2
 

There are so many amazing, inspiring films here at SXSW, and this is such a supportive community, I have no doubt that the outpouring of kindness will be tremendous.  


SIGN THE GUESTBOOK
We'll have a guest book at the screening so that Benh can receive some of the feedback he'll be missing by not being there. Please take a moment to tell him your thoughts about the film.

If you already saw the film, or can't make a screening, you can also send an email to Benh at <benh AT court13 DOT com>.


SEND YOUR FILM
GloryAtSea6.jpgOne of the unfortunate results of this accident is that Benh, who has made such a beautifully collaborative project, is sadly missing the festival experience here at SXSW. (The SXSW staff has been very supportive, but of course there's nothing to be done to get him out of the hospital right now.) He would love to see films and meet people. On top of that, he's going to be laid up in a hospital bed with no entertainment for some time.

We're asking that SXSW filmmakers please donate a DVD of your film to Benh.

We understand of course that some of you may not be comfortable having DVDs of your film floating around at this time, so if you can't lend a DVD, that's okay. But if you don't mind passing on a copy of the film to a trusted filmmaker, it would be a sweet gesture. You can drop off your film:

Convention Center
(near the screening room)
Tuesday, March 11, 4-6pm


I along with some of the crew from the film will be hanging out at at a table, so drop by and donate a DVD to Benh. (We'll try to set up a small sign. Otherwise look for me, a guy with a shaved head. And I'll wear a colorful tie.) Other forms of entertainment, support, get well cards, etc., are also welcome. If you can't come then, drop me a line at mark AT rooftopfilms DOT com and we'll try to arrange something else.


DONATE
GloryAtSea7.jpgBenh does not have health insurance and is facing tens of thousands of dollars in medical bills and lost income while he's laid up. It may be that the car insurance will cover his expenses, but unfortunately, it's not clear if that's the case (issues surrounding the driver of the other vehicle are sketchy). I will keep you posted if and when financial support becomes necessary (and promise not to send a glut of emails). You can check www.rooftopfilms.com/blog and www.court13.com for updates.

I know that Rooftop, SXSW and others are also discussing benefit screenings, so stay tuned.  

Thank you all in advance for your support. I know that Court 13 and Rooftop Films and SXSW have a really strong community here and that we'll be able to support a filmmaker and a friend in need.

"Glory at Sea!" plays at SXSW in the Shorts 3 program on March 9, 11th and 14th, at the Alamo Lamar Cinemas.

In the guidelines to the Rooftop Filmmakers' Fund--the grants that Rooftop offers to filmmakers whose work has screened with us--we say "We are more likely to fund films that make the most of their resources and community." We don't have the means to fund big-budget films, so we want to help support filmmakers who are clever and collaborative, and show that they uphold the collective ideals of Rooftop Films.

GloryAtSea.jpgLast night, I was in New Orleans for the cast and crew screening of "Glory at Sea!," a short film which Rooftop co-funded. The movie is based on the myth of Orpheus, and in this version a man who washes to sea aims to sail back to the underwater Hades that has taken his girlfriend. While he builds a raft, the community watches, and becomes interested, and finally rushes to his aid, carrying with them the busted and rusted icons of their lives--all that remains of their husbands and wives, children and parents--strapping to the boat trumpets and bathtubs, charred church crosses and unspooled mix tapes, in the Bayou-inspired voodoo-like belief that these talismans will lead them to their drowned loved ones. The rickety craft sets sail with a song (fitting for Orpheus and Orleans), and the crew finds salvation in sinking.

The film is an irrational fable, a rich and poetic impossibility, and it gains its power from its myth logic. In dream logic, you do something crazy and need to look at the subtext to understand why. But in myth logic, you do something crazy because you have the tenuous belief that it will help. "Glory at Sea!" captures that pathos perfectly: the filmmaking is stirred with music video madness as it strains at the conventions of traditional narrative filmmaking. The film invokes this need for a community to bond--not a logical need, based on survival or chances of success, but an inherent need which transcends logic and gets to the core of who we are as people, as neighbors, as people who need each other in life and in death. In post-Katrina New Orleans, where all everyone has left is water-soaked memories of missing persons, "Glory at Sea!" is the perfect parable.

The director Benh Zeitlin choked up when he welcomed the crowd, saying that "making this film was the greatest experience of my life, and it's thanks to so many of the people in this room, who bled rust for this movie."

There were 300 people there.

300 people in support of a short film!

Glory_Cast-SMALL.jpgThey volunteered their time. They lent their own heartbreak to the telling. They literally risked their lives riding this home-made raft out onto Lake Pontchartrain. One guy, Jimmy Lee Moore, a local guy who was cast as an actor, ended up doing much of the complicated welding on the boat. I spoke to him after the premiere, and he was beaming with pride. He told me about how the Coast Guard didn't think the craft was sea-worthy, and no one would take responsibility for towing it out onto the water. But they hooked it up a speedboat, and tore the tail off it in the process, because they had no other option, and for days on end the actors and crew were doing things no one in their right mind would do, all for this film. Now Jimmy wants to modify the boat and make it a Mardi Gras float, to represent the film, and New Orleans independent filmmakers, and the spirit of this project.

Benh was originally going to make this mythical film in Greece, but he told me that when he received funding from Rooftop--where the money comes from ticket sales and submission fees, the fans and filmmakers who make up our community--he knew he had to make a populist film, and that it had to be in New Orleans. Seeing not only the power of the film, but the glorious power of the community that made it, I can't express how proud I am, on behalf of all of us at Rooftop Films, to have had a small part in such an inspiring project.



"Glory at Sea!" plays at SXSW in the Shorts 3 program on March 9, 11th and 14th, at the Alamo Lamar Cinemas.

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