IFC Center

Bill Plympton’s “Idiots and Angels” at the IFC Center

Bill Plympton’s “Idiots and Angels” at the IFC Center

Bill Plympton is a Rooftop Alum and and Academy Award Nominee. His latest feature, Idiots and Angels is being called “ambitious” and “hilariously demented.” Go see it tonight at the IFC Center.

“Marwencol” at the IFC Center!

“Marwencol” at the IFC Center!

Marwencol, winner of the South by Southwest Grand Jury Award for Best Documentary, is now playing at the IFC Center in NYC. Don’t miss your chance to see this remarkable film.

“Gasland” Tour Draws Huge Crowds, Lively Debate

“Gasland” Tour Draws Huge Crowds, Lively Debate

Rooftop just got back from touring with Josh Fox’s Gasland . It opens tomorrow at the IFC Center, and if you value your non-flammable drinking water, you’ll go see it.

“Last Train Home” in Theaters!

“Last Train Home” in Theaters!

Rooftop Alum Lixin Fan’s beautiful and haunting film Last Train Home, opened September 3rd at the IFC Center. If you’re in New York, do yourself a favor and go see it.

SEE OCTOBER COUNTRY THIS WEEK AT THE IFC CENTER

SEE OCTOBER COUNTRY THIS WEEK AT THE IFC CENTER

The film has gone on to dozens of festivals and won numerous awards. Now it’s coming out in theaters, and of course I can’t recommend a film more highly.

CINEMA EYE AWARDS

CINEMA EYE AWARDS

Last night I attended the inaugural Cinema Eye Honors, co-chaired by AJ Schnack and Thom Powers, produced by Danielle DiGiacomo, and presented by IndiePix at the IFC Center. I have never been a big fan of awards for art. I’m a big sports fan, and a competitive person, but I don’t judge success in anything […]

“FILM AS A SUBVERSIVE ART: AMOS VOGEL AND CINEMA 16”

“FILM AS A SUBVERSIVE ART: AMOS VOGEL AND CINEMA 16”

TUESDAY, JANUARY 29, 8PMRooftop Films & Stranger Than Fiction co-present“Film as a Subversive Art: Amos Vogel and Cinema 16“a feature-length documentary by Paul Croninat The IFC Center | Tickets We at Rooftop Films are proud to be co-presenting this film because we certainly consider ourselves descendents of Amos Vogel’s Cinema 16. I think one of […]

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