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Perpetual Movements – A Tribute to Carlos Paredes
Feature Documentary Directed by Edgar Pera
A gorgeous and evocative documentary in 17 movements,
in which Super 8 footage and personal testimonies attest
to the genius and the bravery of Carlos Paredes--the
greatest Portuguese guitarist of the 20th century.
***BUY
TICKETS***
SAT., JUNE 30, 2007
8:30 - Live Music by Rebecca
Schiffman (details)
9:00 - Movies Begin
On the roof of The Old American Can Factory
CLICK for DIRECTIONS
232 Third Street @ Third Avenue
Gowanus, Brooklyn (Between Carroll gardens and
Park Slope)
In the event of rain the show is indoors at the same
location.
Tickets -$8 at the door or $5 online HERE
with code: RFJUNE
Presented in partnership with - IFC.com, New York
magazine &
XØ Projects, Inc

PERPETUAL MOVEMENTS
(Edgar Pera | Portugal | 69 min)
Perpetual Movements is a unique cinematic tapestry
constructed from recorded personal anecdotes, the strings
of a guitar, and strips of film from a Super 8 camera,
all lovingly woven together in a style that evokes distant
memories and intimate old family pictures. At one point
in Perpetual Movements, an old associate of Paredes
comments that “One of the wonderful qualities of the
guitar is its ability to make friends for the one who
plays it,” and at the conclusion of this film it is
easy to feel that one has somehow acquired a new companion.
Carlos Paredes wrote extraordinarily complex and lovely
songs for the Coimbra Fado--a traditional Portuguese
guitar—and he is considered one of the most accomplished
Portuguese musicians to have ever lived, having earned
the nickname “The Man With a Thousand Fingers.”
But Paredes’ appeal derives not just from his virtuosity.
When Paredes performed live, he often took his time
between songs to tell deceptively simple anecdotes about
his life—tales about his modest upbringing, political
resistance, imprisonment, amateur struggles and eventual
success. The 1984 recording of a Carlos Paredes concert
in Oporto that Pera uses as the starting point for Perpetual
Movements features dozens of these charming short
stories, and by combining the recordings with expressionistic
footage from across Portugal and original interviews
with Paredes’ friends and supporters, Pera has created
a surprisingly deep and thoughtful portrait of one of
the most modest musical geniuses of the past hundred
years. The testimonials of friends and colleagues enlighten
us about a man who--in spite of his privations--never
complained as he struggled at center all sorts of personal
and political crises.
The work Paredes left behind is of incontestable value,
not only for the beauty of the compositions and his
interpretations, but also for the dimension that it
gave to the Portuguese Guitar. His performances continue
to evoke a sense of mystical liberation--a sense of
deep nostalgia and also an enthusiasm for the future.
Documentarian Edgar Pera has taken Paredes’ music and
spirit and created a sparkling film that defies definition
and conjures that same magical sensation.
The Music

Rebecca
Schiffman is an artist
and musician born and raised in New York. Her songs
are lazy and sparce, but not lazy in the sense that
they lack motivation or charisma--more lazy in the sense
that they are stripped down and pure, like a proud nudist
at a 60's revival folk festival who has aged quite gracefully.
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